For those begging for a fresh version of the evermore dress (which is one of two ensembles from the tour that has yet to receive a variation) - you’ll be delighted to know a new Marco de Vincenzo for Etro gown was brought to life at MetLife Night 1.

Of the four variations of the “Enchanted” dress we have seen, this also brings designer contributor to 2 of 4 with another pull from Elie Saab - a fashion house that Taylor has turned to for many red carpet looks over the years.

I don’t think I have to expand to anyone which folklore dress is my favourite now.

I feel of the three “Enchanted” dresses we’ve seen thus far, this one is going to be a bit of a marmite. I personally really like the textured appliqués and beading.

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1.

Well we are certainly in for quite a ride with this tour if Taylor plans to continue to serve fresh versions of her looks.

This dress was incredibly fun in motion - the degradé here is thanks to thousands of hand-applied Swarovski crystals.

The starburst bodice design feels just the right amount of ethereal and “sparkling” for a song like “Enchanted”.

This stunning ballgown is an architectural feat and gives us a very strong throwback to Taylor’s Valentino ballgown on the Speak Now Tour.

It’s of zero surprise to me that this ruffled, tie-front dress that Taylor wears for the evermore section on tour is by Etro.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

It’s nice in a lot of ways that this tender, stripped down moment in Taylor’s set that’s dedicated entirely to her roots as a singer-songwriter brings with it two very familiar names.

Taylor’s beautiful rich performance gown for her folklore/evermore medley at the 2021 Grammys is a custom fil coupé chiffon gown with paisley motifs and lace ruffles by Etro.

I almost got a brief Faith Connexion vibe from this dress given the waist-tie detail which was so common amongst those pieces back in the reputation days. But, of course, this is another FP piece for Taylor. 

As she did elsewhere in the folklore photoshoot, Taylor opted to wear a floral dress by Magnolia Pearl, this one from their Summer 2015 collection — indicating perhaps that Taylor has been quietly hoarding MP pieces for years. 

Though it’s difficult to tell given the low-res images, it appears that Taylor is wearing this pair of laceless leather brogues. Based on the contrast trim around the sole and heel as well as wingtip cut.  

As one might have guessed, given the time period, her dress here is by BCBG. Taylor definitely favoured a lot of dresses by Max Azria in her self-titled and pre-Fearless days.

Taylor’s corset and lace dress is by Greg Lauren. I really dig the rocker chick vibe from this look and it’s almost a sexier, five shots in a bar grown up version of her “All Too Well” RED Tour look. 

I’m completely in love with this outfit and the fact that Taylor has revived a TSS-er favourite.