While some wondered if Taylor would appear at any NYFW shows this week, a sporty outing to watch a fellow American Taylor (Fritz) in the US Open final is just as fun. And such great symmetry!

Someone got a haul of Gucci recently and decided to wear it all in one fell weekend. It’s not uncommon for Taylor to be brand loyal and to wear a slew of things from a single designer many times over, consecutively.

On this occasion, Taylor wasn’t heading into Electric Lady for a session - but for a wedding! With Travis as +1, the two were guests to the nuptials of model Karen Elson and Electric Lady Studios owner Lee Foster.

Many may have noticed a recent accessory addition to the Tortured Poets costuming on the Eras Tour: a sleek pair of triple dart leather gloves. The addition comes as a functional fix to combat chilly temperatures on this particular stretch of dates in the United Kingdom.

Taylor first debuted the Tortured Poets section when she kicked off the European leg of the Eras Tour in Paris. I had wondered aloud when/if we would see alternate versions of this dress with other TTPD lyrics scrawled across it.

How amazing is it to see a more glamourous revival of a dress that was once just a simple, shin-length gown? And those ballet flats! 

As per my previous note on V6 of Taylor’s newly joined ‘folkmore’ section, this is now the second time we’re retreading design territory. V7 of this dress takes the silhouette and botanical elements of the superb V4 version of the gown and renders it in a saturated berry tone.

To me, this is really giving that we were both young when I first saw you. The transportive magic of fashion (and the Eras Tour).

For my own predictions post guessing at tour designers for The Tortured Poets Department set on the Eras Tour I noted: “When it comes to designers, I feel Vivienne Westwood would excel at this assignment.” The theatricality, the dramatics, the corsetry, the Britishness of it all.

If my eyes aren’t deceiving me, this is the first time we’re getting a new folklore gown that’s a repeat silhouette - just a different colour. If I’m not mistaken, V6 is a yellow version of the V2 white gown (which appeared in the Eras Tour Movie).

There’s a part of me playing between two potential reads on the new silhouette (and designer) of the surprise song dresses.

I’m not quite sure what outing Taylor wore this LBD for while out in Las Vegas (after party, out to dinner, another event) but what I do know is this is a very important designer.

I’m sure somewhere locked inside my brain are smarter words to say about this dress but the only one I can summon up is greeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeen.

So to see her here now, effectively bookending Midnights fashion in a look that’s dark and ruminating and moonlit and celestial and mysterious yet sparkly and glam and alluring … it feels all the more appropriate on her birthday of all days.

Like all the other folklore set gowns, the special 1989 blue version is a custom piece by Alberta Ferretti. Based on its split-sleeve shoulder-cape attachments, neckline, and lace-like embellishments feel the most similar to the Version 3 pink dress. 

Besides debut having no section at all (as a debut stan, will I ever let this go? doubtful), I personally find it charming that the album with the shortest section as part of the Eras Tour setlist has the most amount of costume variations.

Of course, what better way to honour Speak Now TV release weekend than a new and incredibly purple dress for what we can actually call a Speak Now ‘set’ thanks to Taylor surprising the crowd with fan favourite “Long Live”.

On Night 2 at MetLife, Taylor introduced a new silver version of her Fearless Version 2 dress which she also wore to Night 3.