Once again, these Versace bodysuits really are coming through like works of art. This bodysuit looks like a glitter Renaissance painting.

Oh to be in a position to commission a custom midnight blue crystal garter (also by ZM). As if “Vigilante Shit” weren’t saucy enough.

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1.

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)

I don’t think I need to elaborate further that this set is my clear favourite between the two. Doesn’t she just look like the happiest string bean in green?

Well we are certainly in for quite a ride with this tour if Taylor plans to continue to serve fresh versions of her looks.

If you were wondering why this outfit worked so seamlessly to mimic the high waisted shorts of the RED Era, it’s because Taylor’s red ombre bodysuit (worn underneath here) were designed perfectly to look like a regular pair of shorts.

This dress was incredibly fun in motion - the degradé here is thanks to thousands of hand-applied Swarovski crystals.

The starburst bodice design feels just the right amount of ethereal and “sparkling” for a song like “Enchanted”.

This stunning ballgown is an architectural feat and gives us a very strong throwback to Taylor’s Valentino ballgown on the Speak Now Tour.

I audibly gasped when I first saw photos of this asymmetrical bodysuit.

As a former dancer myself who’s done a chair dance, I respect and feel a kinship towards Taylor challenging herself with more intricate and highly choreographed numbers on this tour. It’s even more impressive when you consider that the number appears on the tour’s final section of a three hour show.

It’s of zero surprise to me that this ruffled, tie-front dress that Taylor wears for the evermore section on tour is by Etro.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

Another moment where a throwback to previous style was going to be an easy win. There’s nothing like a matching crop top and skirt with sparkle booties to evoke the 1989 Tour.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

Taylor employs an old dancers trick to get her legs looking the way they do on stage - double layering tights.

If you were wondering why this outfit worked so seamlessly to mimic the high waisted shorts of the RED Era, it’s because Taylor’s red ombre bodysuit (worn underneath here) were designed perfectly to look like a regular pair of shorts.