On Night 2 at MetLife, Taylor introduced a new silver version of her Fearless Version 2 dress which she also wore to Night 3.

For those begging for a fresh version of the evermore dress (which is one of two ensembles from the tour that has yet to receive a variation) - you’ll be delighted to know a new Marco de Vincenzo for Etro gown was brought to life at MetLife Night 1.

The colours and new ombré boots? 13/10.

Not only do we all get to benefit from Taylor in orange, but it’s also incredibly charming she chose to debut this colour in Florida - a state known for the fruit.

I don’t think I have to expand to anyone which folklore dress is my favourite now.

Once again, these Versace bodysuits really are coming through like works of art. This bodysuit looks like a glitter Renaissance painting.

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1.

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)

I don’t think I need to elaborate further that this set is my clear favourite between the two. Doesn’t she just look like the happiest string bean in green?

Well we are certainly in for quite a ride with this tour if Taylor plans to continue to serve fresh versions of her looks.

I audibly gasped when I first saw photos of this asymmetrical bodysuit.

It’s of zero surprise to me that this ruffled, tie-front dress that Taylor wears for the evermore section on tour is by Etro.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

Another moment where a throwback to previous style was going to be an easy win. There’s nothing like a matching crop top and skirt with sparkle booties to evoke the 1989 Tour.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

Taylor employs an old dancers trick to get her legs looking the way they do on stage - double layering tights.

It’s nice in a lot of ways that this tender, stripped down moment in Taylor’s set that’s dedicated entirely to her roots as a singer-songwriter brings with it two very familiar names.

Taylor spends most of her time on tour in a pair of Stuart Weitzmans, wearing four different styles of the brand throughout her 11 costume change. However, she relies on the sturdiness of her five customized 4″ ‘Gran’ boots the most.