While it may feel like we’re in the shoulder season between eras, in this outfit, I see many elements I associate with TTPD fashion. Note that tiny braid, the piled on necklace stack, and that corset-like boned top!

Taylor and Travis appeared at the Amerant Bank Arena to watch the Oilers vs Panthers in the Stanley Cup finals. Taylor’s ensemble included a number of callbacks to Taylor’s sports spectator fashion.

On this occasion, Taylor wasn’t heading into Electric Lady for a session - but for a wedding! With Travis as +1, the two were guests to the nuptials of model Karen Elson and Electric Lady Studios owner Lee Foster.

One of the signature elements of the Eras Tour costuming has been balancing visually referencing eras past, but refreshing them for the modern day. Her co-ordinating tops and skirts worn for the 1989 section are a great example.

Unless this is Taylor’s cheeky attempt at an Alvin and the Chipmunks meme replication I’m a bit stumped on the decision to go cotton candy two tone across this entire outfit - mismatched Louboutins included.

Like we were (new outfits) in Paris! After about four fortnights off, Taylor brought the Eras Tour back for its European leg in France. And with this new leg comes a handful of setlist changes... and, more importantly, costume changes.

There’s a part of me playing between two potential reads on the new silhouette (and designer) of the surprise song dresses.

After a two-ish month break, Taylor picked up where the US/Mexico dates of the Eras Tour left off at the end of the summer with a rousing first of three shows in Buenos Aires, Argentina - and with it, new costuming!

Of the four variations of the “Enchanted” dress we have seen, this also brings designer contributor to 2 of 4 with another pull from Elie Saab - a fashion house that Taylor has turned to for many red carpet looks over the years.

The colours and new ombré boots? 13/10.

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1.

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)

The starburst bodice design feels just the right amount of ethereal and “sparkling” for a song like “Enchanted”.

This stunning ballgown is an architectural feat and gives us a very strong throwback to Taylor’s Valentino ballgown on the Speak Now Tour.

Another moment where a throwback to previous style was going to be an easy win. There’s nothing like a matching crop top and skirt with sparkle booties to evoke the 1989 Tour.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

This mauve-toned, chiffon gown mixes bohemian elements thanks to its ruffles and flutter sleeves and lace with very subtle stage-worthy embellishments. Well done.

It’s nice in a lot of ways that this tender, stripped down moment in Taylor’s set that’s dedicated entirely to her roots as a singer-songwriter brings with it two very familiar names.

While we again don’t quite know which song this get up is for, what we do know is the makeup was done by Pat McGrath - just as it was for the night Taylor announced Midnights at the MTV VMAs.

I love Taylor’s entire hair and beauty look here! So laidback and free, and the bright pop of colour from her spring coral Keds offsets those tanned legs perfectly.