Taylor Swift’s forthcoming The End of an Era docuseries appears to capture footage from 2022, based on this clip of her recording Midnights in studio.

For Taylor’s TAY/kover on Late Night, she appeared in a floral brocade matching piece.

Taylor shared snapshots of her in the process of recording The Life of a Showgirl at MXM Studios and Shellback Studios in Stockholm.

This particular set up from the “Ophelia” was one of the most intriguing and layered.

One way that Taylor has described this album as her life behind the curtain, including her post-show come down.

It’s early to say but this shot and the corresponding cover for The Life of a Showgirl: The Crowd Is Your King variant might be my favourite shots from this shoot yet. 

Taylor leans into Showgirl aesthetic with this customized Bob Mackie look.

Paying proper homage to the showgirl aesthetic with authentic costumes straight from the Vegas archives.

While it may feel like we’re in the shoulder season between eras, in this outfit, I see many elements I associate with TTPD fashion. Note that tiny braid, the piled on necklace stack, and that corset-like boned top!

Taylor and Travis appeared at the Amerant Bank Arena to watch the Oilers vs Panthers in the Stanley Cup finals. Taylor’s ensemble included a number of callbacks to Taylor’s sports spectator fashion.

On this occasion, Taylor wasn’t heading into Electric Lady for a session - but for a wedding! With Travis as +1, the two were guests to the nuptials of model Karen Elson and Electric Lady Studios owner Lee Foster.

One of the signature elements of the Eras Tour costuming has been balancing visually referencing eras past, but refreshing them for the modern day. Her co-ordinating tops and skirts worn for the 1989 section are a great example.

Unless this is Taylor’s cheeky attempt at an Alvin and the Chipmunks meme replication I’m a bit stumped on the decision to go cotton candy two tone across this entire outfit - mismatched Louboutins included.

Like we were (new outfits) in Paris! After about four fortnights off, Taylor brought the Eras Tour back for its European leg in France. And with this new leg comes a handful of setlist changes... and, more importantly, costume changes.

There’s a part of me playing between two potential reads on the new silhouette (and designer) of the surprise song dresses.

After a two-ish month break, Taylor picked up where the US/Mexico dates of the Eras Tour left off at the end of the summer with a rousing first of three shows in Buenos Aires, Argentina - and with it, new costuming!

Of the four variations of the “Enchanted” dress we have seen, this also brings designer contributor to 2 of 4 with another pull from Elie Saab - a fashion house that Taylor has turned to for many red carpet looks over the years.

The colours and new ombré boots? 13/10.

Splitting the difference between her two previous Alberta Ferretti dresses, this chantilly lace confection combines the saturated mauve from Glendale 1 with the split sleeve cape-like detail of Glendale 2 into this dusty rose chiffon gown for Las Vegas 1.

I can almost imagine that once opening night was over and Taylor was getting a feel for the physicality of the show she felt confident enough to start accessorizing ;)