In the video’s opening scene, Taylor places herself within a painting of Ophelia as a direct reference to the namesake and plot device of the song.

In this set up, Taylor pays homage to Busby Berkeley’s elaborate showgirl choreography. 

In this set up, Taylor nods to theatrical play productions - twisting Ophelia’s drowning into a walk-the-plank suicide.

This particular set up from the “Ophelia” was one of the most intriguing and layered.

This is an album from the sonic and visual perspective of a life on the other side of revisiting her own archive. And boy does it look good.

Taylor debuted a number of new costumes over the course of her Eras Tour dates in Miami which kickstarted this final leg of the tour. Amongst them were two debuts in the Midnights section.

Of the three versions of this dress that Taylor debuted over the course of her three nights in Miami, I think this one is my favourite.

I know some people express bafflement over the Speak Now set. Why so many gowns for just a single song set? My answer? Why not! We’re officially up to nine variants for this portion of the show. How fun(ny) would double digits be?

In a night full of plot twists (Exhibit A: There will be no explanation there will just be a second reputationbodysuit), the one that actually has me the most stumped is this designer switch during the Midnights set. 

The acoustic set dress has now had three design iterations, but eight total variants (accounting for different coloured versions for each design). To have brought her back into the fold for the Eras Tour felt like such a warm and lovely nod, indeed, to eras past. 

Empires have been built and fallen faster than a new reputation bodysuit, but here we are. The longest running gag of the Eras Tour comes to a close after a consecutive 131 wears - we finally have Version 2 of the reputation bodysuit! 

The Eras Tour is back for its final run and with it, of course, new costumes. Taylor debuted a handful during last night’s opening North American leg date in Miami, Florida - most by Fausto Puglisi for Roberto Cavalli.

Back in office, indeed! Taylor truly in her element at a sold out stadium with a cat on her arm - we do love to see it. How I’ve missed her!

After a lot of staring, my current suspicion (based on UO being one of Taylor’s longtime favourite brands for personal, casual wear) is that Taylor is wearing one of Urban’s cropped plaid shirts.

As I’ve noted throughout the tour, one should expect the unexpected when it comes to new costumes. As in, they can happen at any time in any city at any time.

Many may have noticed a recent accessory addition to the Tortured Poets costuming on the Eras Tour: a sleek pair of triple dart leather gloves. The addition comes as a functional fix to combat chilly temperatures on this particular stretch of dates in the United Kingdom.

Taylor first debuted the Tortured Poets section when she kicked off the European leg of the Eras Tour in Paris. I had wondered aloud when/if we would see alternate versions of this dress with other TTPD lyrics scrawled across it.

Many may have noticed a recent accessory addition to the Tortured Poets costuming on the Eras Tour: a sleek pair of triple dart leather gloves. The addition comes as a functional fix to combat chilly temperatures on this particular stretch of dates in the United Kingdom.

When the folklore and evermore sets combined into one, Taylor introduced a few other smaller changes to the costuming. These changes feel like a proper ‘blending’ of the Eras.

While I’m sure this particular two piece was a cheeky Chiefs nod, particularly with certain special guests in the audience when this set debuted during Paris 4, this is indeed a yellow / orange set.